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Quick Audio Tip For Shooters

For all of you Final Cut Pro artists out there who also shoot, the next time you are out in the field and you have only one performer on mic at a time, try recording your mono audio into both channels of your camera. The only difference is let channel one be your main input and pot down channel two to a lower db. This will give you some room in post to salvage an area where the host may have shouted or raised his or her voice creating a hot level.

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For any of you who may have missed the sneak peak of After Effects 7.0, here it is again!

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Using Dreamweaver 8 for Authoring Streaming Videos was the previous entry in this blog.

Can't Hear Realtime Soundtrack Pro Effects in Final Cut Pro is the next entry in this blog.

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