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After Effects, Avid, and Render Settings

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Render_Settings.gifIf you are trying to sift through all of your render options and find that you are confused by all of the settings, then I would like share with you my work-flow and hopefully it will help stop the confusion. First and foremost you need to decide the delivery vehicle for your program, is it going straight to the web, are you publishing a DVD or simply exporting to another application. My philosophy is to always keep my exports at the highest quality at all times. So to do this I have found that a QuickTime movie set to Animation is the best uncompressed export setting. There are a few key reasons that I have come to use this for my exports. It will always embed a clean alpha channel that is easily recognized by most applications, it does not compress your sequence and even if I am making a DVD I still render to this setting and I then allow Adobe Encore or Sorenson Squeeze hand the transcoding. This is not only efficient but most authoring programs handle the transcoding much better then After Effects or Avid. If you want to make animated gif for the web After Effects allows you do this and I use this setting if I am posting something to the web that is not needed for any other application. The last setting I use is .FLV. Flash Videos are the best way to post your work on the Internet. Not only do they play fast but they look great. The settings for your .flv will change from project to project so you will need to play with your settings to achieve the results you are looking for. Just remember that QuickTime set to Animation; Flash Video and Animated GIF’s will get the results you are looking for in most applications.

Adobe Encore and Subtitles

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Encore subtitle.gif
Subtitles are a big part of the DVD world. You can simply import subtitles. You import subtitles using a script file. Adobe Encore DVD accepts three different types of script files: Text Scripts, Image Scripts, and FAB Image Scripts. Scripts specify the start and end timecode of the subtitles. The big difference between them is that text scripts contain the subtitle text, whereas the two types of image scripts instead reference predesigned and formatted image files.
Unlike image-based subtitles, text script files include the subtitle text along with the timecode for the start and end point for each subtitle. Text scripts contain no screen position or formatting information. You format and position the subtitles as a group when you import them. The Import Subtitles (Text Script) dialog box also lets you designate the track on which they will be placed (or creates a new track), the language (if any), and the color set and group that will be used when displaying them.

Adobe Encore and Still Picture Pixels

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apect ratio.jpg
Knowing how to set up Encore to interpret your assets is very important. Most digital still cameras and graphic applications use square pixels. You should set the pixel aspect ratio of still-image assets to square to ensure that they display correctly. An exception to this rule are files created in Adobe Photoshop CS and Adobe Photoshop CS2. Photoshop lets you work in nonsquare pixels when creating images for DVDs and video. Use the Photoshop preset that matches your project. You can mix assets with different pixel aspect ratios in the same project. Encore interprets each asset's pixel aspect ratio on import. Occasionally, an asset may contain incorrect information which, in turn, prevents Encore from identifying it correctly. If you need to change an asset's pixel aspect ratio, you can use the Interpret Footage command to specify it.

Adobe Workspaces

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Adobe workspaces.gif

Adobe video and audio applications provide a consistent, customizable workspace. Although each application has its own set of panels (such as Tools, Properties, Timeline, and so on), you move and group panels in the same way across products.

The main window of a program is the application window. Panels are organized in this window in an arrangement called a workspace. The default workspace contains groups of panels as well as panels that stand alone.

You customize a workspace by arranging panels in the layout that best suits your working style. You can create and save several custom workspaces for different tasks--for example, one for editing and one for previewing.

You can drag panels to new locations, move panels into or out of a group, place panels alongside each other, and undock a panel so that it floats in a new window above the application window. As you rearrange panels, the other panels resize automatically to fit the window.

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